While the bluff and bluster of the two men's politicking no longer carries the ominous chill that it once did, the environment is again the star when it comes to effectively communicating their insidious ideals. Irrational also has a great deal of fun looping the narrative back on itself and weaving together strands from every major event of the BioShock timeline as some familiar names from the series' past crop up and the developer delves deeper still into the perplexing theories that it introduced at the end of BioShock Infinite.Īll of this plays out against the backdrop of the bitter feud between Rapture's founder, Andrew Ryan, and the opportunistic Frank Fontaine. Elizabeth has taken up Booker's mission to save a young girl named Sally, but for much of Episode Two's four-hour running time, this goal takes a back seat as the story examines a more vulnerable, less self-assured woman than the femme fatale of Episode One. Episode Two ties together elements from previous BioShock games to entertaining effect.įollowing the dramatic conclusion of Episode One, we step into Elizabeth's high-heeled shoes to continue the story, which is more ambitious and significantly longer than its predecessor. It not only concludes the DLC's story arc but ties together the events of both BioShock and BioShock Infinite, enhancing Irrational Games' overarching exploration of existentialism - while also remembering to offer players plenty to do. Episode Two is free of the burden of this re-acquaintance and excels as a result. This was most keenly felt in Burial at Sea: Episode One, which seemed more concerned with nailing the impact of its return to Rapture than with providing a fully-formed gameplay experience. #Bioshock infinite review seriesSince the inception of the series in 2007, this tightly-scripted form of expression has been one of BioShock's great strengths and has facilitated some truly memorable narrative moments - but it has also been to the series' detriment. BioShock creator Ken Levine spoke recently of how he's ready to move away from the linear narratives that he's curated for the past 19 years to embrace something new.
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